50 PHOTO PROJECTS PDF

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50 Photo Projects - pdf - Free download as PDF File .pdf), Text File .txt) or read online for free. Whether you want to get more from your DSLR or are simply looking for new creative avenues to explore, 50 Photo Projects shows you how to break out of your. Ebook 50 Photo Projects Ideas To Kickstart Your Photography currently available at raudone.info for review only, if you need complete ebook 50 Photo Projects.


50 Photo Projects Pdf

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50 Photo Projects Ideas To Kickstart Your Photography Kickstart Your Photography [PDF] [EPUB] Woodworking Projects For Beginners - 5. why customers keep coming raudone.info you need a 50 photo projects ideas to kick start your photography, you can download them in pdf format from our website. read online now 50 photo projects ideas to kickstart your photography book by david charles ebook pdf at our library. get 50 photo projects ideas to kickstart your.

But only you can be the one to get out there and try it.

Personal Photography Projects Personal photography projects are extremely important because they keep your passion for photography alive.

This is even more important for the photographers with steady paying clients. You might be too busy working for clients that you get lost in the business side of things and lose your passion. Personal projects are a great way to remember why you first picked up your camera. Personal projects keep you shooting for yourself, which in turn fuels your passion to keep taking pictures.

It more like running. You have to start small, like a couch-to-5k program and build up your endurance. If you take a long break from running, your progress will regress and you have to retrain your body once you start running again. The same is true for photography. The more you learn the more you need to put it to practice. Pick up your camera every day to stay sharp.

Even if just for 5 minutes. Take pictures of anything and everything. Too busy with a full time job? Just as with exercise, there is never enough time but you have to prioritize and make time if it is important to you. Additionally, if you are taking pictures everyday, you can easily document the growth of your photography. Take Your Camera with You Everywhere If you want to stay on top of taking pictures everyday, it will be much easier if you always have your camera on hand to capture anything.

Brian McGuckin wrote a great article comparing messenger bags that you can read here. I personally like something a little more chic and love my raspberry Kelly Moore 2 Sues bag, found here. Do you have a favorite bag not listed? If so please share in the comments below!

Light Painting Photo by Jim Harmer If you have even the slightest artistic bone in your body, you will fall in love with light painting.

Plan at least 2 hours one night to go out and do some night photography with a good flashlight. You will need to use manual mode for this, but you will have complete control over the light and how it shows up in the photo. Because you are experimenting, plan to retake several shots until the light appears exactly as you would like it to. If you are looking for something new to do that will jump-start your interest in photography, this is a really good technique for you to try at least twice.

Traffic Light Trails One of the best ways to get the hang of the exposure triangle is to go out and shoot light trails at night. In order to shoot light trails, you will need to use a tripod and long exposures. There is an article with tips and suggestions ranging from camera settings, scouting a location and even gear suggestions that you can read here. Plan a time and place to go out with a fellow photographer friend.

There are a lot of good things that happen when you go shooting with a friend: They are there to give instant feedback on your photo. They can help with your composition just as much as you can help them with theirs. You inspire each other to get even more creative shots. If you are light painting, then you can help each other take the photo. The buddy system is never a bad thing. Resite and strengthen friendships.

I think you get the idea… Text your buddy right now and make plans to go for a shoot! We should go photograph [The Golden Gate Bridge] this weekend. Try Meetup. I have made several friends in my area from the Improve Photography Facebook groups. Create Your Own Hashtag on Instagram Do some searches depending on what project you are currently working on to see if the hashtag you want to use has already been used.

If people want to join your project you can click on the hashtag and view what others have shared. Or in a year from now you can look back at the 31daysblackandwhite and remember that month you shot only in black and white. This is to take a different color as the focus point every day for 7 days. Bonus if you do this project and create your own hashtag! If you do, let us know the hashtag in the comments below so we can check it out.

Beauty As the saying goes, beauty is in the eye of the beholder. Spend a month photographing something that is beautiful to you. This is great because no two people will have the same outcome. Find beauty in your everyday. Ugly Take the same idea as above, only make your subject something you feel is ugly. Think beyond appearance and dig a little deeper for this project to see what you come up with. Happiness Photo by Erika Sneeringer Sorrow Make a photograph that captures sorrow.

Shapes or Patterns Photographing shapes or patterns is a great exercise for street photography. Look for shapes or patterns around us found in everyday objects. It will help you become more aware of your surroundings.

Your training your mind to always be thinking about composition. Scavenger Hunt Make a random list of things to find and go on an adventure for the day. Whether exploring a nearby city or hiking through the woods, you can include things on your list like a certain flower, an animal, shapes, photograph a stranger. Learn Your Camera in the Dark Go into a dark room and learn how to change the settings of your camera without looking. The more you practice the more it will become second nature.

One Aperture Pick one aperture and shoot with only that aperture for 1 week. The second week, pick a different aperture and shoot with only that aperture all week.

You can change your iso and shutter speed for the correct exposure. Often people download a new lens with a wide aperture and then shoot every photo wide open. Then the next week go to 6. This project will teach you when it is best to shoot wide vs. One Lens If you had to pick a favorite lens to shoot with for 1 year, what would you pick? Now challenge yourself to stick to using this lens for a duration of time.

Shoot with one lens for a week, a month or a year. If for no other reason, you should try a film camera just for the experience. You can use photo labs that still develop film for you and have them printed, or you can sign up to use a darkroom and develop your own photos.

Developing your own photos is truly half the experience of using a film camera. College courses will often provide the resources you need for film photography. TIP: Be patient. Working with and developing film is very time consuming and calculated. But take the time to learn. Go for the experience of learning and understanding more about photography. If nothing else, the experience will teach you to appreciate the camera you have even more.

Some film cameras have a light meter built in for your convenience that will make the shoot go pretty well. If not, you will need a light meter to help properly expose your photo. Even better it comes out with an awesome vintage look. It is an excellent way to practice good composition. Unlike when you shoot with film, Polaroids or other various instant print camera brands give you instant gratification.

Go Black and White Stunning black and white photos have become something of a lost art. There are a lot of photos we take in color that would look absolutely amazing in black and white.

Round up some of your recent photos and turn them black and white to see what you think. Do a black and white photo series where you really focus on going back to the silver lining of photography.

Black and white photography can be extremely helpful in creating a really strong focal point in the image. There is no color to distract you from what was being photographed.

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Instead, convert it after the fact. Furthermore, there is editing software that will turn your photos black and white better than your camera could. Take some self portraits and have fun with yourself by experimenting with different expressions and poses. The experience you gain through this self-practice will prove to be much more valuable than some silly alone time with yourself.

TIP: Mark the place you need to stand and use an object to focus your lens before you get in front of the camera. Have fun with this and really go after it. Whether you are an avid iPhone user or support the other guys, there is nothing to stop you from treating your cell phone as a professional camera. If you are using the apps to take long exposures, you will need to steady your phone on a tripod or something.

Since using your phone is so easy, all you need to do is find something to photograph. Instagram or Facebook your favorite shot from the shoot. Tracy Munson has written a couple articles filled with useful tips and suggested apps for phone photography. Be sure to read them here and here. Photograph a Family Heirloom Photo by Jim Harmer We can all think of a few things from our childhood with priceless value. Think of that special family heirloom and all the memories that go with it. Think about the stories it would tell, if it could, and photograph that.

The moment might be gone, but you can still make a photo that shares the often-retold story about this item. Pick your favorite photo or top 3 of the heirloom. Share with family members and include your memory of this item. Floor Portraits One awesome way to capture newborn photos that would make for a fun photo project on a rainy day is floor portraits. Newborn portraits can be very traditional and very much alike.

By creating the scene, you instantly have something that is unique and interesting. It might be even more fun with the older kids. Be creative with angles and different objects.

Take the time to make a professional photo of this person and give it to them. However, this photo needs to showcase something about who they are, where they work, or what they are passionate about. Ask people that know this person what they envision when they close their eyes and picture this person. This photo needs to tell a story and ultimately introduce your loved one to any stranger who is looking at the photo.

You might already have an idea in mind it could be your fondest memory of this person , but make plans now so that you can make this photo a reality. This will be a photo worth a thousand words, and something they will cherish for years to come. For a more in-depth tutorial on how to do this, check out this tutorial. Do Good with Your Photography Not everyone has the opportunity to have a professional photo taken of themselves. Donate your time and talent to capture a precious moment for a family or to make someone feel more beautiful than they ever have before.

Now I Lay Me Down to Sleep This is a program dedicated to connecting professional photographers with medical professionals and families who have suffered the death of their newborn child. Photographers are responsible for photographing a moment in time that captures the beautiful love between a mother and her child and the tender feelings of a father for his family. Details for this program can be found by clicking here. Help-Portrait Created by professional photographer Jeremy Cowart, this charity event happens every December around the world.

To learn more how you can be involved, or to start your own location of Help-Portrait in your city, click here. Create a Photo Illusion Creating a successful photo illusion will take some inspiration and effort. However, these can be a lot of fun to create when you have a supporting team who can see the vision as well.

There are a lot of in-camera illusions you can create, but there is nothing stopping you from taking a series of photos and creating the illusion in Photoshop. A-Z Photos This is a great project for street photography. Doing this project will open your eyes to the world around you. You will look at things differently and contemplate whether or not you could make a photograph out of everything you see. Looking for objects that form the shape of a letter is no easy task, but can be done if your eyes are open.

There are two parts to this; you can do both or just choose one to complete the project. Letters: Go out and find objects that form the shape of each letter of the alphabet. Sounds easy enough, but you are not allowed to use actual lettering found on signs or buildings that would be cheating. Actions: The goal for this one is to photograph an action that starts with each letter of the alphabet. Arrange the photos together any way you want to create a collage of the alphabet.

This could be helpful for school teachers or creating a display for children. Let your imagination take you away on this one. Find a location. The best places to consider are those with a lot of architecture and landscaping. To get all the shots you need, you could be there a while. Shoot a Single Theme Awesome Doors! Photo by Jim Harmer Sometimes it helps to have a theme to keep our mind and interest engaged with our photos.

It gives us purpose and a reason to look differently at things that we might have already photographed. Be specific in your theme so that it is obvious that the photo series was taken with particular intent. A theme might include: color, the same type of flower, classic cars, your hometown, the life of a kid, homeless people, travel photography in a certain location… The list can go on and on. The idea is that your theme is specific but still gives you enough latitude to take interesting photographs.

TIP: Your photos need to obviously display the theme. Or a yellow dandelion found in the green grass at the park. What color did you intend to photograph? Make sure the focal point is clear to the viewer so your photo is a success.

Have you ever wondered how you could do that yourself with your own photos? With the right idea, you could easily put this together and have a very creative animated GIF. Because these are animations, they can only be shared digitally. If you allow too much movement, it ruins the looped effect.

For a guide to making your own cinemagraphs, follow this tutorial. Select the location and make plans for any models if needed. Takes only a few seconds of video for this, but try different angles and actions. Highlights of Your Life Re-create significant moments from your life and shoot them in a series: that time Jimmy Johnson next door gave you a black eye, hiking to a lighthouse with your father, going off to college, getting baptized, etc.

Even cooler if you have your kids step in as the actors. Seasons Find a location where you enjoy shooting landscapes, and then visit the location various times throughout the year.

Photograph the same location every season in different weather conditions, different light, different compositions and using new creative ideas each time you go. Then the person will have earned the money by working for a few minutes while the photographer shoots, and he gets great photos of interesting people. Aaron Grubb wrote a behind the scenes article on a similar idea that you can read here.

Geophoto Do a project to shoot the geocaching locations around your city. Emotional Self-Portraits Take one self-portrait each day that shows your emotions and happenings of that day.

Put together mood boards to help set the mood for your shoot to better capture what you envision. Try and create a self-portrait for every emotion and put together a gallery of emotional portraits. Create a personal gallery of your emotional series, either via print, portfolio or social media and be sure to share it. Look up the history and owner of that building and share your images with the current owners.

Something specific that when you see or think of something, it reminds you of that town. Your Meals Take a picture of one meal a day for a month.

Not only is this a convenient way to count calories, you can really learn lighting by learning food photography. Photo by Erika Sneeringer I mean to let your imagination run a little wild. Imagine little stories with the food in your refrigerator and shoot photos to illustrate the tales. Downtown Fashions Do street photography of the most interestingly dressed people in the downtown area of your city. A Day in the Life Find someone you find interesting and shoot their whole day.

Alternatively, you could do a day in the life of a group of people. If you were doing this project, you could take pictures all over campus at different hours of one day and show all the interesting things that happen there. You could also pick one location and take pictures all day of the different interesting things that happen in that spot throughout the day.

Lifestyle Documentary Photo by Erika Sneeringer Find a family that will allow you to follow them around for a few days documenting their life. Capture everyday moments of their routines. If you pick a family as your subject, spend a week with them. You can make each day focus on a different person of that family. Capture the moments they are together and what their day is like when they are apart.

When your project is complete, you can put together a slideshow to create a lifestyle documentary. Photojournalism Pretend to be a photojournalist for a week. Where will you find the news? If you live in the United States, you can download a free app for your smartphone that gives you access to the police radio channels.

However, had I now hadn't changed. Then, using the new, locked settings, I took another picture. Get o ut of th The glo light p w from urba e city o miles a llution and c n areas is kn Outdoor.

This om p clearl e m y on a naked eye b ight long ex u posuret will Indoor. This helps avoid inadvertently knocking or moving the camera.

A sturdy tripod is important Lighting. Other than that, star trails don't need any particularly specialist kit.

Mid-day is a good time to do this for a couple of reasons. One is that it's often dead-time in the landscape photographer's day when the clothing though.

Even if you're used to being out in cold weather, standing around for half an hour or more in the dark light is too harsh for shooting. The other is that, with the sun to the south, in sub-zero temperatures can bring a whole new level of shadows will point north towards where the stars will be circling round Polaris chilliness, so pack a few extra layers to keep you comfortable.

Pre-visualising that will help you create a good composition. You'll need to ensure that you're a decent way from major light pollution too. If it's too dark test shots at a high ISO and wide to see properly through the viewnder, aperture. Set the camera to manual and ISO and wide aperture, gradually start with an exposure time of around making adjustments to ne-tune the 20 seconds.

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Take a shot and check the composition. Autofocus is unlikely to histogram, then simply alter the work in very low light, so you'll need to exposure time and re-take test shots focus manually either by using the until the histogram looks correct. After distance scale or by placing a torch a bit of experimentation I nd that one somewhere in the scene to focus on.

Finalimage I've given the nal image a little bit of curves adjustment, a. Outdoor colour balance on the cool side of daylight and applied some Unsharp Mask in Photoshop. Select ISO and set a wide-ish aperture. Get out some coffee and chocolate, have a break for a while and enjoy staring at the stars.

Just don't do what I did and discover at this needed for the nal shot, compensating for the change in ISO and aperture by point that the coffee's back down the road, still in the car! If you need to put a increasing the time.

For instance, if you needed a 30 second exposure in step 3: With the right technique and careful planning, it's possible to capture dramatic, atmospheric scenics. Mist and fog tend to fool the camera into underexposure, so be prepared to add at least a stop over the metered reading using exposure compensation. If shooting Raw, youll record the maximum amount of tonal information by exposing to the right pushing the exposure as far into the highlights as you can without actually clipping the highlights.

Youll need to do some work in the Raw converter on Indoor. The meter Exposetotheright: Using a tripod is good practice for shooting landscapes, but Lighting.

A medium telezoom is probably the most useful lens as its focal length compresses perspective and enhances the misty effect. A set of Neutral Density graduated lters will be necessary in pre-dawn shots, as the sky will be much brighter than the land, which has no direct light falling on it. Fog and mist are formed when mild, moist air passes over cold ground the lower layers of the air get cooled down rapidly to the temperature at which fog or mist forms.

Mist often forms at the bottom of valleys, where the ground is colder, so the hills above a valley are a good place to be, as this enables you to shoot from above a layer of mist, with hills rising out of it. Being look out for cold, clear nights with a light south-westerly wind, as this gives a near water also helps, as this helps to cool any air moving over it.

Research high chance of mist or fog. Even if the conditions seem right, however, an suitable locations well in advance and arrive a good half an hour before sunrise, atmospheric sunrise isn't guaranteed often, for example, you can get a thick as the pre-dawn light can be magical. For this shoot, I set up overlooking the west fog rather than mist so persistence is important. Be prepared to make Wiltshire Downs, with mist lying at the bottom of the hills. Also, be sure to wrap multiple visits to your favourite locations.

Finalimage I zoomed in slightly from my initial composition, to remove the slightly distracting band of colour at the top of the frame and keep the shot as monochromatic. Outdoor as possible. I used a daylight White Balance preset to keep the pre-dawn colours cool, and added a touch of vibrance to enhance the blue tones.

Keep shooting as the mist swirls around and the light changes. Indoor Lighting Mist or fog? Whats fog? W the differen c of answere happy to e between m The on ers theyre provide the ist and if visib difference basically th clearest ly ility is less th is one of dene same! You need to look for strong, bold shapes, as mist hides shapes and dilutes colours, making a scene monochrome. Meter from the land and the sky to check the difference in brightness, to see if you need a graduated the scene.

Backlit scenes can also work well, as the shapes of hills are lter and, if so, which strength. Take care not to over-lter the scene e. Flare isn't too much of a problem with backlit shots, as there's a four-stop difference in brightness, use a three-stop grad so that the sky the mist diffuses the sunlight. For this shot, I selected a hill rising out of the mist remains a little lighter than the land and therefore looks natural.

For these as the main focal point, and arranged it according to the rule-of-thirds. Behind shots, I used a one-stop soft grad as, although there wasn't a huge range of the foreground hill, the layering effect leads the eye into the backdrop.

Its funny how some photographic techniques come about purely by accident. Condent that everything was ready, I tripped the shutter to expose the rst frame but, without thinking, I swung the camera to the right, ready to shoot the second frame before the exposure for the rst had ended. Annoyed by my impatience, I waited for the image to appear on my cameras preview screen so I could erase it. But when the image did appear, far from being a load of old rubbish, as Essentialkit expected, it looked fantastic an eye-catching abstract of coloured lines and streaks, more like a painting TRIPOD HEAD: Surprised by my happy accident, I decided to try and repeat the effect, but this time If you want to produce doing it on purpose.

Since then, Ive produced a whole series of these images. Not only are they easy and smooth, consistent results fun, but the results look fantastic. Heres a step-by-step guide so you can try it yourself.

Ive been using a Indoor.

Steady as you go Manfrotto Junior Though th geared head for the past few moveme is technique is a years. It is great for precise n ll about tripod is t, its important th adjustments, but not so st direction urdy and locked at your great when you want to otherwis s, other than the p off in all make bigger, uid e youll ju st get a b an movements of the camera.

I live by the sea and favour coastal views because there are dened lines of colour in the scene, created by the beach, then the sea, then the sky. However, any scene containing bands of colour is suitable. In the spring, elds of yellow oilseed rape against blue sky would work brilliantly. The same goes for poppy elds in summer. Urban scenes at night are worth a try too, as the colourful lights will record as streaks. The important thing is that you have clearly dened areas of colour that are wide enough to form strips across your shot.

Remember though, that this is an experiment and breaking the rules is allowed! I do this by rst using the 3 The streaking is created by moving the camera during exposure, so the shutter speed you use is important. Anything between 0. In low light, such a small aperture may not be hotshoe, which helps me to level the camera itself.

Outdoor Indoor Lighting Finalimage The nal stage, for me, is to crop the image to a square. I feel that the square format adds to the symmetry and makes the composition more balanced and ordered. By always keeping the horizon central, a consistent theme runs through each image, making them work well together.

Hold the tripod head or adjustment arm, position the camera to the left of the scene you want to shoot, then smoothly pan from left to right. I shoot in Raw, so the rst step is to process them using Adobe Camera Raw. I usually nd that adjustments to Clarity and Vibrance add impact, along with Tone Curve to When youre happy you know what youre doing, try it for real. The results may boost contrast. Once opened in Photoshop, I select the sky, make further be a little jerky to begin with, but youll soon get the hang of it.

They're easiest to nd and look their most photogenic when smothered in tiny water droplets. Therefore, early morning after a clear, still night is the best time to look. Alternatively, you could spray one with water to create a similar effect by using a gardeners spray bottle to create a ne mist that wont damage the web. In autumn and winter, after a cold and frosty night, you might even nd a frozen web, which is particularly photogenic and can make very arty, abstract-looking images by using a shallow depth-of-eld, together with careful focusing.

Indoor houettes OTT: As photographers, we are always correct exposure, arent we? However, ued that there is no such thing; as it ds on the subject, the situation, and the wants to achieve.

For example, a ruly eye-catching image even though, is the result of a poor exposure. Lighting he subject is recorded as a black or detail, against a lighter background bject is grossly underexposed. It is the acklighting but, when combined with ct, the results can be stunning ubject is contrasted against an sky.

Despite the lack of detail and onvey much about the subject and they s no such thing as a correct exposure. I dswept landscape to show you how to s. If you do the Outdoor. A compact, fold-away reector is an essential close-up accessory. They are Lighting. A reector will normally create a more natural-looking form of illumination than ash.

However, I have often employed a reector or its black cover as a makeshift background for small subjects to create a simple backdrop. In some 1 I didnt have to search long before nding a dew-laden web. I composed the image quickly, including the entire web in the frame. However, I didnt pay enough attention to order to create high-key results.

By simply changing viewpoint, shooting angle, focal length or aperture, you can alter the backgrounds colour and appearance. To eliminate 3 I wanted to create a more arty looking result. This would allow me to record just part of the web in focus. Focusing needs to be accurate when working the white sky from the image-space, I selected a higher angle by extending the with such a shallow depth-of-eld. I checked the image on the LCD monitor, legs of my tripod. A grassy bank now created a more attractive, green zooming in to check the subject's sharpness.

Unfortunately, my focusing isnt background. I also opted for a tighter composition. Outdoor Indoor Lighting Creative Photoshop. Using a shallow depth-of-eld at this level of magnication allows the photographer to precisely direct the viewers eye to a specic point of focus.

If your camera has a preview button, use it to review the 5 Although happy with the previous shot, I felt a black backdrop would suit the subject better thinking it would contrast starkly with the glistening water droplets.

The cover of my foldaway reector is black, so I held it around 40cm distribution of depth-of-eld. This time I took an extra few moments to ensure behind the web and used the self-timer to trigger the shutter.

Finally, I had the my focusing was accurate and released the shutter remotely to prevent any result I wanted. If youd prefer a more colourful look, you could try using camera movement spoiling the image. Either take a test rather than waiting until the dead of night. Because of the presets affect your image. The technique requires the smallest amount of kit, which makes it even more Flashsetting appealing.

All you need is a digital camera and a tripod, although a remote release cable will make the process a lot easier. Ready to give this technique a go, I grabbed my gear and headed out into the dark, taking a position on an overpass of a busy Birmingham road. I recommend always arriving at your location at least ten minutes before the sun goes down so you can take your time and nd the best angle to shoot from, and also to take advantage of the skys blue tint thats visible directly after the sun goes down.

Because youre shooting at night, its worth remembering a few important safety Indoor. Always have permission to photograph if you are snapping from privately owned land. Remember to be as discreet as possible you dont want to advertise that expensive camera body to thieves. Finally, because you will be shooting in the vicinity of moving trafc Tungstensetting it may be an obvious one to consider be aware of the cars around you.

It may be a wise decision to wear a uorescent bib, which can be bought from cycling shops such as Halfords. I choose to shoot the image in portrait format to 2 I set the camera mode to manual.

You can use aperture-priority mode, but the streetlights can trick the cameras metering system. Also, the wide aperture makes the streetlights look bland using include the tall buildings bordering the road. However, as I trigger the shutter button, my hand causes some vibration to the camera, blurring the image.

To get around this problem, I attach my remote release, 4 I play around with some different shutter speeds to see how they affect the image. At ten seconds the image is too dark, losing detail in the road.

However, at 16 seconds the image is too light, with the light trails burning out.

A shutter speed between these two points should give me the correct exposure. Remember not to knock the tripod during the exposure. You should experiment with your shutter speeds, too. Finalimage With exposure settings correct, everything falls into place to produce a dynamic image. Outdoor not give this technique a shot? Outdoor without the graceful ight and vibrant colours of butteries.

Although wildlife photography can be tricky and frustrating, butteries are easy to locate and get close to, particularly when feeding. Larger species are often easier to photograph, as you don't need to get so close to them to achieve frame-lling shots.

Small Tortoiseshell, Peacock and Red Admiral butteries are perfect for honing your skills. They're large and common, and will often settle on owers or bask open-winged on walls long enough for you to shoot them.

Insects are highly sensitive to movement, so move slowly and don't make any sudden or jerky movements. I recommend using manual focus, as it is quieter. You also avoid the risk of 'hunting' as the lens tries to focus, which wastes valuable time.

Macro lenses are best for this type of photography, providing excellent image quality and a good working distance. However, cheaper alternatives such as. Indoor extension tubes or close-up lters will also get the job done. Most people shoot butteries from overhead, with their wings open at; but to create striking, less conventional images, experiment with other angles and depth-of-eld.

Try shooting them from eye-level or backlit to show the transparency and markings of their wings. To give you a few ideas, I recently visited some nearby gardens where there were several migrant Painted Lady butteries. All that's required now is a little patience and luck. Essentialkit Outdoor. It isnt really fair to suggest that a macro lens is an essential piece of kit when photographing butteries.

Budget alternatives, like close-up lters, are capable of very good results. Also, many modern zooms offer a macro facility, which Indoor. However, a dedicated macro is the best choice for wildlife close-ups. For ighty insects, a tele-macro, such as a 90mm or mm, is a good choice. Not only do they offer superb image quality up to 1: When stalking butteries, you have no option but to keep your set-up A macro of this length is simple. A tripod often proves impractical being too ddly and time-consuming to position, and also relatively compact greatly increasing the risk of disturbing your subject.

When working handheld, keep your sharp results possible elbows pushed in towards your chest to limit camera shake. If you do require the added stability when handheld even of a support, consider using a monopod, which is easier to position and shouldnt disturb the without image-stabilising surrounding plants. Butteries rarely feed or rest for long, so you will need to focus and compose technology. I began by simply watching the butteries for a few minutes, observing their habits and which plants they preferred.

The Red Valerian was a clear favourite, so I stood nearby, camera at the ready. Be aware of what is going on behind your subject, as a messy backdrop will ruin your image. With practice, it becomes easier to let your eye wander around the frame while you focus and buttery lands, approach it slowly, gradually moving the camera to your eye.

A small change in shooting position can eliminate distracting Older insects can look tatty, with faded colours, so only snap butteries in foliage from the frame. Alternatively, a wider aperture will throw the background pristine condition. My rst efforts were disappointing, as I shot from too far out of focus. However, sometimes, there is nothing you can do other than wait away, so the buttery is not large enough in the frame.

I needed to get closer. Finalimage Photographing butteries is a challenge, as just as you're about to get the perfect. Outdoor shot, they y away! After nearly an hour of chasing butteries around, I only managed a handful of images I was genuinely pleased with. Persevere and your patience should be rewarded too. This is crucial in close-up photography. Too much, and background detail will be too dened.

Too little and the subject won't be sharp throughout. Generally, if a buttery is resting or feeding with its wings open at, photograph it from above. If its wings are closed, shoot from one side. Regardless of whether the wings are open or closed, try and keep your keep your subject acceptably sharp. This also ensures that the shutter speed is camera parallel if not, its wings will begin drifting out of focus.

However, fast enough to freeze subject and camera movement. In this instance, after remember that you dont always have to opt for conventional angles. With this depth-of-eld, whilst throwing the vegetation behind pleasantly out of focus.

Setup Reections can be irresistible to photographers. A still body of water acts as a mirror, perfectly reecting its surroundings.

Landscape photographers often use reections to create symmetry, but water doesnt need to be still for reections to be photogenic. A slight breeze will create gentle ripples in smooth water, distorting the colour and appearance of reected subjects.

Mundane subjects can be distorted to the point of abstraction, such as a block of ats, a boats mast or a brightly coloured buoy. By Indoor. When photographing water and movement, each shot is unique, with the look of the rippled water constantly changing. In order to isolate the reections, a telezoom is a good lens choice. Shutter speed is a key consideration too slow and the water will blur. Now all you need is a suitable body of water and a breezy day not too windy though, or the water will be choppy.

A polarising lter is designed to block light polarised in one plane.

By doing so, it can reduce or eliminate reections and enhance contrast. They are constructed from a thin foil of polarising material, mounted between two circular pieces of glass. By rotating the lter in its mount, you can alter the lters angle of polarisation and the degree of polarised light that can reach the image sensor. Using a polariser is intuitive simply look through the viewnder and rotate the lter until you get your desired effect.

Polarisers are one of the most useful lter types and their effect cant be replicated on your computer later. Although designed to reduce reections, applied correctly, they can also enhance them. By removing the reective lm or sheen on the waters surface, the colours of reections will be intensied. Apply the effect with care though the lter will diminish the reections if youre not careful!

The effect of a polariser has to be seen to be appreciated. Shutter speed is a key consideration when shooting abstract reections. Too slow and the ripples will blur, which is normally undesirable, as the reections and the beautiful, swirly pattern they create from the waters surface. To ensure you achieve the right effect, slowly rotate wont be so well dened.

You'll see the reections fade Dont worry if you need to select a large aperture to do this often the narrow and intensify. Stop at the point where the reections look strongest. However, this is These two images help to illustrate the contrasting effects of the lter. Polar iser pro A polari light. Yo ser absorbs a blems! Outdoor b too slowl be lengthenethat the expos ut , raise th d. Indoor Lighting 80mm. One of the main advantages of using a telezoom to format compositions.

It is capture arty reections is possible to achieve very the versatility it offers. You different-looking results of can quickly zoom in or out, Photoshop. If you without the fuss of have a polarising lter changing lens. The long attached, remember that end of a zoom allows you to switching formats will alter highlight specic details, the degree of polarisation, colours or patterns in the so you will need to adjust water.

These shots show the lter accordingly. Outdoor Indoor Lighting Creative. This is a mistake, though.

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I used a basic table-top set-up and bought a large, red gerbera from the local orist. The bigger the ower, the better, as it will also be the backdrop for the shot. My droplets were suspended from a fresh green reed, from my pond.

I attached two Plamps to the table; one to hold the reed in place, and the other to position the ower around 20cm behind. This type of image is easy to shoot and should take no more than but the advantage of using Indoor.

You can set up in your garden or indoors, using a small table as your Plamps is that their exible base. A macro lens would be the ideal choice, as they typically have a 1: I aligned the ower also work. A remote release would also be useful or if you don't have one, your and reed so that the ower DSLR's self-timer would help , as would a small reector.

You'll need a nice, head created a frame-lling colourful ower to photograph, such as a gerbera or sunower. Next, I sprayed the The ower and the object your droplets are hanging from need to be clamped into position, and the droplets should be suspended between cm in front reed with an atomiser until a of the ower, from a thin reed, grass or branch. Wimberley Plamps are useful for row of droplets formed. Having this, but bulldog clips or tape would also work.

Lastly, to create your droplets, done this, I moved my tripod use a water sprayer or atomiser. Spray repeatedly until large droplets form into position parallel to the and hang from your reed or branch. This can be a rather frustrating process, droplets and ower behind. Lighting Creative Photoshop. I decided to focus on a couple of droplets that were side by side.

Therefore, accurate focusing is critical, which is why if your eyesight allows it, you should always opt for the added precision of manual focus. I then focused on the droplets I carefully altered my point of focus, so that it was on the refracted image of the and released the shutter. However, by focusing on the drop itself, rather than the ower. Outdoor Indoor Lighting Finalimage Experiment with vertical and horizontal compositions and alter the shooting angle. Sometimes a shallow depth-of-eld works best, and vice versa.

I tried several approaches, but opted for a composition at a slight angle to the reed.

I then focused on a single droplet, keeping the ower within it sharp, whilst everything else drifted pleasantly out of focus. I hoped this would generate enough depth-of-eld to keep the droplets, refracted images and reed in acceptable focus.

The resulting slower shutter speed enhanced the 4 The previous image was OK, but the composition wasn't terribly exciting. I decided that isolating just two of the droplets didn't create a strong enough visual impact, so I sprayed the reeds again, to create more drops, and then risk of camera shake, so even the tiniest vibration caused by pressing the shutter focused on a larger group.

The result was more interesting, was essential to ensure a sharp result. Outdoor technique that can create the impression of motion and give images more life and dynamism. It is particularly well-suited to landscapes. On a breezy day, nd a viewpoint where you can include a static subject to contrast with the movement, such as a fence, tree or pylon. Now its time to begin shooting movement in the landscape. Essentialkit To generate the slowest possible shutter speed for the available light, Outdoor.

This still may not be slow enough to create the degree of subject movement you require. To lengthen your exposure further, you will need lters.

They are available in both screw-in and slot-in varieties and a range of densities. A two-stop ND will sufce in most situations. When using ND lters, compose and focus your image before attaching the lter, otherwise the viewnder image will be too dark. Your TTL metering will automatically adjust for the lters factor.

When using a lengthy shutter speed Lighting. This is a very different type of blur, known as camera shake, which is almost always undesirable as it can ruin a shot by blurring 1 The Daymark is a navigational aid in South Devon. It is an attractive landmark and I knew that the surrounding farmland was planted with corn. I waited for a ne, breezy evening and visited with the intention of blurring the elements that ought to crop.

Switch to shutter-priority To achieve an exposure slow Although the previous exposure The key is to take an exposure mode, which will allow you to enough to record the wind recorded an acceptable degree of thats long enough to make the quickly set the slowest shutter movement, youll need to use motion, I wondered how an even effect look intentional; yet without speed available for the ambient ltration.

Polarising lters have a longer exposure would alter the making the subject look light. I also selected the cameras lter factor of two stops, so I attached image, so I attached a three-stop ND unrecognisable. This will depend on lowest ISO sensitivity, to help one.

Not only did it lengthen the lter. The resulting exposure was two the subject and wind speed. For this generate a long exposure. However, the movement of image, I replaced the three-stop ND longer, the resulting exposure of helped to saturate the colours.

I opted the crop was now too great. The corn with a two-stop ND lter. Finalimage Using the same settings, I took a variety of shots, as no two 'motion' shots are ever the same. I experimented with viewpoints and composition. I was happy with the results, but having experimented recently with.

Even better, moving water is best shot on an shorten or lengthen the exposure time until you get the perfect result. If tiny areas of water burn out, overcast day with soft light so there are no blinding dont worry when you download the images and highlights to contend with, caused by sunlight reecting on the water.

This makes it a view them as full-size les, chances are those perfect subject for those dull, grey days photographers in the UK know so well! If not, its a simple job to use the Clone Stamp tool in Photoshop to copy and paste water from a different part of the image over the overexposed areas. Indoor Lighting. If not, 3 Before taking a shot, check the lens or lter for water droplets.

If youre shooting close to a waterfall splashes or spray may get on the lens.

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In Its also a good idea to attach a remote release so use a Neutral Density ND lter to increase the this case, drizzle was the culprit. Wipe the water you can trip the shutter without touching the exposure. Holding an umbrella over the your images being ruined by shake. I was initially attracted to this spout of water hitting a rock and cascading in all directions.

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Shooting side-on proved to be a good angle and a shutter speed of one second offered enough 5 I decided to try a wider view, using the water spout in the previous step as foreground interest, carrying the eye up the ravine towards the distant peaks of the Cuillin Ridge.

It took a few attempts to get the shutter speed just right so blur. The shot worked, but there were many other options to explore. Finalimage Heres the end result, shot with an exposure of 1. The dull weather and soft light worked well, perfectly revealing the subtle colours in the scene, while the blurred water captures the feel of the tumbling mountain stream. But is it truth or trickery? Quite frankly though, who cares?

The levitation effect looks great and, evidently, always leaves people wondering how it was done. Using Photoshop to create the illusion is a skill of its own, usually done through compositing or removing objects that give a person height.

However, this time, Im going to show you how to achieve the effect entirely in-camera, relying on timing, patience, a very fast shutter speed and a subject who is t enough to jump time and again!

Thing s are lo The eff looks uect works be oking u unatt p at the u tter if your p! It avoid bject Outdoor. There are two factors that will determine success or failure: Use as fast a shutter speed as possible to freeze the subject in mid-air, ideally at the top of the jump, when they are furthest from the ground.

Watch the models feet too. If 1 I tried this technique in a eld and on concrete, but neither worked as well as being on top of a hill with just sky as background. To capture the all-important 2 By standing parallel to the model, so her feet werent at my eye line, it was hard to tell that she had much distance off the ground. Having chosen to move to a hill, theyre pointed down they will mask the distance between foot and oor height, try a contrasting backdrop behind the feet, adding it allowed me to position myself below her for an upward which makes the shot so effective.

Lighting Creative. I also set the camera to CH continuous high shooting mode to increase my shooting rate. You can always try to predict the time to hit the shutter release, but I found it easier to hold it down from the moment she left the ground.

This froze my subject but my timing was off so I missed her at the peak of her leap. I tried again, and did better, but her feet pointed down, obscuring how high she had jumped. Outdoor this technique. Just keep your subject jumping, don't stop shooting, and you will eventually get the shot you want.

I tweaked the Hue and Saturation of this image to pump up the vivid colour. If you have a garden, I expect you also share it with a number of birds. The average UK garden is visited by a wide variety, with blue tits, great tits, chafnches, robins, sparrows and blackbirds being the most widespread. Wildlife photography is a very popular subject and, at one time or another, most digital photographers will be tempted to try snapping the birds in their backyard.

Bird photography isnt easy, though, and can prove challenging and frustrating. However, with a little planning, patience and bribery in the form of wild bird food it is possible to capture stunning bird images. You may even be able to do so from the comfort of your very own living room or kitchen. Garden birds are small and even if you can entice them within three metres of your camera, youll still need a focal length upwards of mm to capture frame-lling shots.

Thankfully, telezooms are not as costly these days. The long end of a mm zoom should prove sufcient, particularly in combination with a DSLR with a cropped type sensor as its focal length will effectively be increased by a factor of around 1. Consequently, shutter speeds are slower, making it more difcult to Indoor.

In good daylight though, using a lens with a slower maximum aperture shouldnt be a problem. Most wild birds are quite timid and easily frightened away. While a hide is ideal, it is an added cost. Instead, try using a 2 To entice birds within range of your lens, you will need to bribe them. You can do this in the form of food or water. If you already have a bird feeder in your garden, just move it within a few metres of your hide.

If not, download a garden shed or a household window. download camouage netting from your local feeder from a local garden centre and position it close to your set-up. Only army surplus supplies or www. Within days, hours, or even across your open door or window to create a makeshift hide. You can then minutes, birds will be visiting your feeding station. Keep feeders full, so that poke your lens through the netting, keeping yourself hidden.

Therefore, I didnt want to photograph the birds on the feeder. Instead, I introduced one or two props nearby that visiting birds would hopefully use to rest on between 4 Garden birds are ighty they dont stay still long so you need to prioritise a fast shutter speed to freeze their movement.

Shutter-priority is the mode best suited to this type of photography. Ideally, a speed upwards of feeds. Select blossom adjacent to your feeder, or maybe a clothes line with pegs in order to the maximum aperture of your lens and, if necessary, increase the ISO rating. Pla an for Set up y the light in an areour feeding stati several ha that receives on and props somewh ours of a day. Agood light for building ere that is shad void placing it. Outdoor , a fence e , hedges d by a or trees.

Indoor Lighting Finalimage The waiting has paid off! Why not try snapping your garden visitors today? This is useful for throwing background and foreground detail out of focus and helping to isolate your subject.

However, such a limited 6 One of the key points to taking good wildlife pictures is to be patient and persevere. With my set-up complete, I invested several hours over the course of three days at my studio window shooting the visiting birds. Try to focus on Sometimes I had to wait more than an hour before a bird would use the perch. AF is the best Be prepared to spend lots of time and take lots of frames before getting the and quickest method of focusing when shooting fast-moving small birds, so I shot you are after.

You will have lots of near misses, but the good shots more set my D to its continuous AF tracking mode. I used a circular polarising lter on my Canon EF shoot car close-ups. Bright will be reected in any chrome or steel parts. If its bright, the clouds will be a really vivid look and making them stand out more.

Once I arrived at the with minimal effort. Do keep in mind that showroom, I had a lot of cars to choose from. I asked Alex Indoor. I chose to shoot a Mini, as they're to move the car onto a grass verge, so that the showroom and nearby cars would not instantly recognisable, with lots of reect in the bodywork. I also felt that a fantastic details and curves. Many thanks clean background consisting simply of the to Alex at Sycamore BMW in green grass and cloudy blue sky would work Peterborough, who was kind enough to better with these shots than the showroom's exterior would.

I turned on the lights, as well lend me one. To see their excellent range as the orange warning lights, which I thought of new and pre-owned cars, please visit: This would give me a fast enough shutter speed, and keep the noise levels relatively low in the images. I set the White Balance to 'Daylight', although I 4 Once I'd ensured that my camera was correctly set up, and my memory card was in place and formatted, I attached a circular polarising lter to my lens.

This is a simple process, as the polariser simply screws into the lter thread at changed it to 'Cloudy' later on. I used aperture-priority with the lens at its widest the end of the lens. To be honest, this one rarely leaves my lens. To start with, I used a tripod on self-timer mode to minimise the reection, but the 4 In my bid to shoot the car from some unusual angles, I found it necessary to lie on the ground.

I nd shooting from a lying-down position much easier and more comfortable than crouching and straining my neck. It also allows me camera was still reected. It also increased the time for each shot and took a lot to hold the camera more steadily.

If you don't want to get dirty, use a DSLR with of the spontaneity out of it, so I decided to shoot handheld instead. Live View or t a right-angle viewnder attachment. Outdoor Indoor Lighting Finalimages Because I had used a polarising lter, the colours and saturation were not consistent in all of my shots. However, shooting in Raw format enabled me to adjust this before opening the images in Photoshop.

I also added a little contrast and tweaked the saturation where necessary. Creative Finally, I used the Clone Stamp tool to remove the lampposts and any bits of dirt or dust from my shots.

I decided to leave the reections as they were, but these could also be cloned out in Photoshop if desired. Many leading lifestyle portrait photographers use nothing more than ambient daylight for the vast majority of their portrait shoots. So, while we have the benets of bright, sunny days at our disposal, we should use it to capture some simple yet effective portraits of family and friends.

Due to the unpredictable nature of daylight, lighting Photoshop. The key thing to remember is that you want to capture a clean image, ALSO USED in other words try to keep the subject and the setting as simple as possible. One compositional trick that most lifestyle photographers apply to their images is to slant the Indoor. This simple technique adds a little energy into the image and is very effective just take care not to tilt the camera too far.

Take ca re with f You need ocus! Select sin , leaves little cus on th gle e eye and -point AF, recompo se Lighting. As my subject will be lying on the oor, I Techniquewatch vacuum it to ensure its as clean as possible. For attering portraits, the light should be as Due to the cramped space, I open the patio diffused as possible to avoid your model squinting in direct doors in case I need to shoot from the patio.

In this instance, However, Ill start by shooting from within the room and use the white walls as a try to reposition them so theyre in the shade or use a diffuser to neutral backdrop. Using a wide aperture to shade the scene inset right. If neither of these work, you may give a shallow depth-of-eld is ideal for this need to wait until the suns position changes or shoot when the sky type of shot and Ill be trying out my is more overcast.

Ive a pretty clear idea in my head of the type of shot Im looking for, with Bethany lying down with her lower legs and feet bent back towards her head. This 3 I place a silver reector to Bethany's right just out of frame and it makes a noticeable difference, bouncing back enough light to even out the lighting on the face.

The lightings better, but the wall behind, while plain, shot isnt bad, but the side-lighting causes her right side to be too dark. Outdoor Indoor Lighting Finalimage My next shot is perfect and all I need to do is apply minimal post-production.

Ive boosted the contrast in Curves and cropped the image slightly to give me the result I set out to shoot.

Give it a try youll be surprised just how easy it is to shoot a great lifestyle portrait at home. I close the blinds in the backdrop so to darken the background. The empty space created behind her 5 I crouch down and the lower viewpoint is far better but the multi-zone meter has bleached out Bethany slightly due to the dark background causing it to overexpose the scene.

This is easily taken care of by dialling in is an improvement over the original set-up but my viewpoint is too high. Refraction is the directional shift or Outdoor. Photographed in close-up, using either a macro lens or close-up attachment, you can capture this striking effect. Colourful owers look particularly good when photographed through a water droplet creating an image within an image. You could try taking pictures outside after rainfall or a dewy night when foliage is dripping. However, this gives you little control over the image reected within your Indoor.

Instead, why not arrange a simple, table-top set-up indoors and create your own refraction photos? By doing so, you can decide exactly what will be reected within your droplets. You can have all sorts of fun using different subjects; for example, you could use text, owers, a ag, a. This will result in a slow shutter speed, making the use of a tripod essential Lighting.

Capturing frame-lling images of tiny water droplets requires shooting at a relatively high level of magnication when even the tiniest movement seems greatly exaggerated. Using a remote release is preferable to physically releasing the shutter with your nger, which can create slight vibrations that can soften the nal image. If you dont 1 I wanted to create a fun, colourful image. So after much deliberating, I decided to photograph the refracted image of some colourful sweets.

To do so, I needed some glass or clear plastic to place my droplets on have a remote release, use your cameras self-timer facility. I opted for the lid of a CD case. To create and position my reective droplets, I decided to use a syringe, but a dropper or water spray would also work. I then rolled-up and taped a sheet of white card into a cylindrical shape, placing it around the sweets, to help reect light evenly and to create a makeshift stand on which to place the CD lid.

Using 3 Using a tripod, I positioned my camera directly overhead, keeping it parallel to maximise depth-of-eld. I composed my shot and carefully focused on the refracted image within the droplets not the droplets' surfaces. Focu s on th With th manua is type of im e imag e itself, n focus on age, it is imp lly th drople ot on the su e refracted ortant to rf to predt, as the AF s ace of the w image.

Outdoor ict you y a r desir stem may str ter ed poin u t of foc ggle us. The resulting shutter speed was two seconds, so a tripod and remote release proved essential. The result had far more impact the droplets were in focus, and the 5 The next step was to tidy up my image. Even though I had wiped over the plastic case before I began shooting, tiny marks were obvious across the image. Using a combination of Photoshop's Clone tool and Healing Brush, sweets behind made a colourful background.

However, dust and scratches on the I carefully cleaned the image. I then adjusted the Levels to increase contrast, plastic were also now visible because of the smaller aperture.

My personal favourite is the gerbera, but it is run a close second by the elegant beauty of the rose. However, I nd the gerbera to be a far easier ower Essentialkit to photograph, as its shape allows you to capture it from all sorts of angles and crops.

Because were trying to ll proposition; it is more fragile and the folds of its petals can the frame with a very small mean that not every one you nd is a suitable subject for subject, a macro lens is pretty photography. In the past, when I've bought roses, I've much an essential bit of Indoor. It will allow you to focus selection for the perfect subject. For this step-by-step however, within a few centimetres from your subject and exclude the I snipped roses from a neighbour's garden with permission of background from the frame, course!

Now its fair to say that you can get away with shooting handheld here, especially if your camera or lens has an image stabilisation facility, but Id highly recommend that you do use a tripod. Using one will allow you to ne-tune your compositions, ensure your focusing is absolutely precise this is absolutely critical with macro photography Lighting. The great thing about close-up ower photography is you don't need an elaborate set-up.

The area close to the French doors in my dining room provided all the light I needed for the shoot. The rose was balanced in a half-lled plastic water bottle to hold it in position, while my camera with macro lens is set up on a tripod. I nd that shooting a ower indoors offers two key advantages: Finally, it's worth keeping a silver reector on hand should you need to bounce some light back into the scene.

One thing I haven't set yet is the autofocus. I leave it at multi-point, just to demonstrate what happens. You should nd that unless the ower is very light or dark, your exposures are correct.

Now concentrate on the composition. Make small camera focuses on the closest part of the subject, which is on the far left of the adjustments to the tripod head, raise or lower the legs and move the ower until frame. Switching to single-point AF and setting the AF point over the area I want you're happy with how it's framed. LiveView proves very useful, as you can to focus sorts this out.

Another option is to use manual focus. Finalimage The advantage of downloading from a orist is that your subject. Outdoor will have fewer imperfections. This garden rose had a few discoloured areas, but they were easily cleaned up with the Healing Brush tool in Photoshop. After 15 minutes of photography and ve minutes of Photoshop, I've a beautiful still-life of a ower to add to my colourful collection!

The light it bounces back is subtle, but I'm much as possible in focus. To minimise shake in the longer exposures, use the happy with the difference it makes to the image. Whilst some photographers might have access to a. Outdoor studio, or own a home studio set-up and lights, the majority of us don't. No, not for a relaxing soak, but to reect light. The only limitation of using a bath as a makeshift reector is the size of the subjects that you can shoot. They mustnt Lighting.

Due to the type or size of the subjects you will be shooting, a focal length in the region of mm is ideally suited. A macro lens is ideal, due to its close focusing ability.

To photograph my daughter, I used a Sigma mm macro. Regularly check your images histogram is a popular lens with portrait to ensure exposure is accurate. I wanted to take some fresh shots of my daughter but the initial results were disappointing. When 2 With the help of a few chocolate buttons, my daughter sat in the bath.

Although confused by the lack of water, she happily smiled while I began taking pictures. The light entering through the window bounced around the bath, simply taking shots of her in our lounge at home, dark, unattering shadows creating a more attering light source.

The tub formed a clean, simple backdrop, formed underneath her eyes, mouth and chin. Finalimage When shooting portraits, you often have to shoot a large sequence of images. Outdoor before you get the light, composition and pose just right. After many chocolate buttons, Id managed to take a couple of shots I was really happy with nicely lit portraits, taken with the simplest of set-ups.

Check the Monochrome box and try to keep the combined total for channels to I used my Nikon Ds built-in unit, with a ash exposure compensation of -2 stops, to ensure the burst didnt overwhelm the ambient light. However, the resulting depth-of-eld was narrow, making create a catchlight, but it bounced more light around the bath tub. However, this accurate focusing critical. It is essential that eyes are sharp, so I tried again, time my focusing let me down the eyes are not critically sharp.

I decided to raid the cupboard and towel nearby too: This messy stuff and easy is a fun shot to try and it couldnt be easier or cheaper to do. You to get on your hands can download a couple of small tins for under a pound at your local when you are picking supermarket, and then all that is required are a few everyday out and arranging Indoor. I used a small still-life table to arrange your letters with tweezers.

You dont my set-up, although a simple tabletop set-up in your kitchen or want to transfer living room would do the job equally well. Rather than using ash, tomato sauce from the soft natural light from an adjacent window is ideally suited to your hand to your this type of still-life image.

Time to start spelling valuable camera gear! Using tweezers, I began picking out the letters I required. However, even with tweezers, 2 I thought it would be fun to have my words on a spoon as it would help the letters stand out and the spoon would add visual interest.

Again using tweezers, I arranged the letters. However, while the idea was good, in practice you have to be gentle not to damage or break the letters, but after a few the letters all slid together as the metal is scooped, distorting their shape and minutes, I soon found the letters I needed for my chosen phrase.

I then held the spoon in position, just above the dish, using a clamp.This project will teach you when it is best to shoot wide vs. Indoor Lighting Mist or fog?

Take some self portraits and have fun with yourself by experimenting with different expressions and poses. Photograph the same location every season in different weather conditions, different light, different compositions and using new creative ideas each time you go. The lights can also be then asked two colleagues to stand in easily moved into various place and took a series of test shots positions until you get the best until I was happy with my exposure. Are you stuck in a blogging rut, finding yourself only posting photos from your most recent session?

This would allow me to record just part of the web in focus. For a guide to making your own cinemagraphs, follow this tutorial. My only regret is not keeping it going in

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