Mīān Muhammad Bakhsh (Punjabi: میاں محمد بخش) was a Punjabi Sufi poet and one of the most popular poets in the Punjab. He belonged to the Qadri tariqah. He is especially renowned as the author of a book of poetry called Sayful. Hazrat Mian Muhammad Bakhsh is one of the greatest Sufi poets in the . We are publishing books of our Sufi saints which are in Punjabi, English, Urdu and. Punjabi poetry of Hazrat Mian Muhammad Bakhsh Qadri.

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| English Books | Shahmukhi Books| Gurmukhi Books |. ***First Page***, Page 2 · Page 3 · Page 4 · Page 5 · Page 6 · Page 7 · Page 8 · Page 9 · Page 10 · Page. Punjabi poetry of Hazrat Mian Muhammad Bakhsh Qadri Pages Digitized by raudone.info, December Mian Muhammad Bakhsh was a sufi hindko and Punjabi poet. He belonged to the qadiri tariqah. He is especially renowned as the writer of a book of poetry.

Mian Muhammad Bakhsh – A great Punjabi Sufi Poet

Walking barefoot on the hot marble-tiled floor of the darbar, I went straight-away to the grave of late Saint. It was covered with green chadar piece of cloth printed with Kalima and verses of Quran, loaded with fresh flower and petals of the rose. People were standing beside the grave, showering flowers, putting money in the wooden-box fixed nearby, and distributing sweets to every new visitor.

Few were sitting beside it and reciting Quran. I stood right in front of the gravestone and tried to read the dates and verses carved on it.

Reading the name of Mian Muhammad Bakhsh and considering him lying under the piles of concrete and chadars, I felt exalted. I had a silent secret conversation with the poet, wrote a few things in my personal diary, took a rose from his grave and came outside. I started strolling in the tiled courtyard absentmindedly, taking a few pictures.

I became restless for some unknown reasons. Anyhow, I composed myself started walking towards the stalls where a deck was playing the Qawalis. I requested the operator to play the work of the Mian Muhammad Bakhsh and he agreed.

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I heard the Saif-ul-Muluk and started walking towards the veranda where few people were lying and others were sitting and eating. I saw a baba Saint with long hair locks sitting in orange chugha gown there with a marvelous serene smile on his face. He looked towards me and then looked away. My presence stirred the monotony of people who sit and lie there in routine; Mostly men.

Feeling uncomfortable I decided to walk towards the stalls again. This time I went on the bookstalls and spent quite a long time there scrolling through the different books and digests.

I bought two copies of Saif-Ul-Muluk, newly published edition, with a very shimmering hard binding cover. After downloading the books, I wanted to download something of the darbar as to be kept with me all the time so I bought the beautiful four purple glass bangles which I still have on my arm and I never took them off for the last eight months.

An old lady took Heer-Ranjha from my bundle.

I grinned back at her. He expressed his gratitude and introduced himself as a member of the management team of the darbar. He was employed by the Department of Auqaf and taking care of the matters of the darbar were among his duties. He passed on his visiting card and asked me if I wanted to have an in-depth look at the darbar; including places that are not open for all the visitors.

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I agreed. He took me to the basement where Mian Muhammad Baksh used to meditate. There were prayer mats and copies of Quran put in the small taqcha a shelf inbuilt in the wall lightened with candles downstairs.

After having a brief look at the chilla gah, we went towards another locked gate. I thanked him and went inside the net walls of the place. The grave was covered in a brand new velvet chadar of ferozi color.

I prayed there and asked him about the confidentiality of the place. He told me that since it is the grave of a female, it is not morally correct that public visit the grave of a ghair-mehram non-acquaintance female.

After the grave, we went back to darbar. The lady was still there and asked me how it went? This time, another elderly man joined us; he started telling about Mian Sahib and his poetry. Shortly after this incident his father died. Both his brothers combined both religion and worldly affairs in their lives, but he was only interested in spirituality, and never married — unlike them.

Having completed his formal education he began to travel, seeking out deserted locations where he would busy himself in prayer and spiritual practices, shunning the company of his fellow-men. Once he had advanced a little along the Sufi way, he became more and more interested in composing poetry, and one of the first things he penned was a qasidah quatrain in praise of his spiritual guide.

Initially he preferred to write siharfis and duhras , but then he advanced to composing stories in verse.

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His poetry is essentially written in a mixed language composed of standard Punjabi and the Pothohari dialect of Panjabi , and utilizes a rich vocabulary of Persian and Arabic words.

Mian Muhammad Bakhsh, in his lifetime, contributed his great mystic thought in the language of the masses — Punjabi language which was also his mother tongue.

His works include: To this day many people visit his tomb with the intention of receiving spiritual blessings. Speakers at the seminar included scholar Fateh Muhammad Malik.

He said that Mian Muhammad Bakhsh, through his poetry, spread the message of mutual harmony and brotherhood of mankind. He added that the young generation should seek aspirations from the national heroes and eminent literary personalities like him. Mian Muhammad Bakhsh serves as a guiding force to develop a happy and successful life.

From Wikipedia, the free encyclopedia. Sufi poet.Lineage[ edit ] He was a fourth generation spiritual descendant of Damriyan Wali Sarkar, who is buried in Khari Sharif.

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Speakers at the seminar included scholar Fateh Muhammad Malik. He asked me to wait, went to fetch the keys of the Hujra. He is Muslim saint respected and revered across the cultures. I felt a golden feeling of happiness and eternal bliss inside me while painting the wall.

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Mian Muhammad Baksh, aik afaqi shahir

The true friend is one who shares your sorrows and does not abandon when you are in trouble. I became restless for some unknown reasons. God does not like a liar because his tongue loses blessings. Amid the heavy rush, there are Qawali and Mehfil-e-Samah nights for three days.

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